Instagram - JULIEN JARRY

julienajarry

Let me know what questions you have about this set

My good buddy @jpmcabe lent me his set of vintage

@estrada_art staring into the abyss in a constant

“Let’s do this a couple times, it’s excellen

I’m thinking about doing another (this time gian

Work your scene. This was not the first move I wen

Late into the night with @estrada_art shot on @red

I sold my FDs for more than I paid for them. I kno

Almost ten years ago I was rocking a Nikon D7000 a $Almost ten years ago I was rocking a Nikon D7000 and Tokina 11-16mm f2.8 as my super wide. I eventually upgraded to a D600. My first full frame camera. I needed a new lens and spent my life savings on what I could afford. Luckily it was also a great performer. The full frame Tokina 16-28mm f2.8. I shot a ton of real estate, among other things, with that combo for years. Fast forward to 2020. I’m in the market for my first real cinema lenses. I want something different - something with an X factor. Not the lenses everyone else has. They have to cover full frame. They have to be excellent. Once again, I stumble across Tokina. “How did you go from third party option to top of the line cinema glass company?” I asked a guy at Tokina. “We’ve been manufacturing glass, designing and making lenses for other companies for decades. We decided to do cinema right with the best quality optical designs possible. A new level of quality. The lenses are actually a value brand still considering that the Vistas perform as well as Zeiss or Arri lenses at a fraction of the price.” He said. For the last few months I’ve been exclusively using the Tokina Vista Primes and Vista One Primes and I can tell you like I’ve never been able to tell before, on multiple occasions, I’ve instantly seen a leveling up to the aesthetic in my images and final product. Whether it’s the wide open performance, fall off, flares or all of the above and in combination, I dig it. Thank you @tokinacinemausa for making me a featured artist.$

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